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Measuring your mortality against the age of actors you know

December 16th, 2009

I watched The Godfather trilogy with my posse over the weekend and words still can’t describe how much I love those films. I guess it’s another one of those bi-decade re-obsessions I have. But every time I watch an old film or TV show I get this incredible sense of mortality when I start realising holy shit:

Pacino and De Niro are both hitting 70, Sean Connery is 80 and even fricking Macgyver is 60.

Soon, these people (who I’ve grown up with through the medium of cinema) are going to start carking it, and then…I’m gonna cark it too.

It’s a weird way of looking at things really. I get these major mortality pangs, as I like to call them, about once every year, usually towards the end of the year when I realise the impending doom of my birthday in January and I come to the realisation that I’m another year closer to death.

Al-PacinoSpeaking of great actors I was looking up Pacino’s filmography and in a span of 5 years in the early 1970s he made:

And he didn’t win an Oscar for any of them. I mean those films pretty much defined his career and he would probably never reach that pinnacle again but to think people like Gwyneth Paltrow have an Oscar for a role in Shakespeare In Love (even though I like that film, it’s still drivel), the lack of the award for the role of Michael Corleone just defines bafflement.

When one talks about Pacino, you immediately have to insert De Niro (crude imagery: one is the bun and the other the frankfurter in a classic NYC hotdog). As Brando defined post-war method acting on screen and thus changing the nature of cinema forever, Pacino and De Niro were both his natural successors. Coming out of the method schools of the East coast they both inspired generations of wannabe actors, mobsters and Italians with raspy voices and squinty frowns.De Niro

Pacino took rise in the early 70s but the latter half of the decade and much of the 80s where squarely in De Niro’s pocket. Perhaps his solid relationship with Scorsese guaranteed him a slew of well developed roles whilst Pacino retreated back to treading the boards after his screen career slipped into a long cold coma (Scarface the one exception).

Although they consistently shared sentences, it was not until Heat in 1995, did they share some screentime, and even then their one major scene together was shot with on separate days with stand-ins. Therefore Righteous Kill (billed as the first collaborative film) was to be a wet dream for all fanboys and girls.

Alas it was a shit film. And really what could be expected? Pacino’s last good film was Any Given Sunday, Oliver Stone’s ensemble homage to pro-football, and De Niro? Probably Frankenheimer’s Ronin in 1998. Of course people would disagree, heaps of people LOVED Meet the Parents, and obviously Pacino’s Roy Cohn was deservedly lauded (even though it veered a little on the shouty scenery gnawing Pacino).

The only good thing to come as a result of Righteous Kill

But as these great actors get older and come closer and closer to shuffling off this mortal coil, we think, shit when will we ever get actors like these two ever again? Actors who DEFINED cinema.

Like every wannabe director I’ve had lucid dreams where I’ve cast both in a movie. Of course in reality if I was ever in the same room as Pacino and De Niro, I’d wet my pants and cry in the corner. However in my imagination, as brilliant as it is, I see, 5 years from now, my smooth awesome confident self directing these two 75 year old geezers in a romantic comedy.

Just think about it…you know you’d want to pay 18 bucks to see it.

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